Wednesday, May 02, 2018

AVReading Newsletter May

The White Savior Narrative

       To continue our examination of equity and cultural proficiency within the classroom, we will focus this month on what has come to be known as the white savior complex.  While an examination of the white savior theme or narrative  might be a bit disturbing for some people, it is important to study, as it can have an impact on the way we see others, the way we see ourselves, and the way we respond  in certain situations. 
To paraphrase a definition offered by the Urban Dictionary, the white savior is a term that refers to a white person who acts to help a non-white person for reasons that might be self serving.  It is a story type that has appeared frequently throughout literature and film, and usually sends implicit messages that both validate and honor the knowledge and culture of the dominant culture and reduces (or in some cases patronizes) the knowledge and culture of non-dominant cultures.  At its root, it sends the message that people of color need to be saved from themselves and the only people who can do that are from the dominant culture. Examples of the white savior are relatively easy to find in Hollywood stories: The Blind Side, Dances with Wolves, Django Unchained, Freedom Writers, The Revenant, McFarland U.S.A., and The Help to just name a few.  Among the many problems with the cultural messages that these stories send, there is the message that instead of addressing the systemic or institutionalized forms of discrimination it is better to act simply upon individual cases.  So instead of tackling the problem at its roots, white savior stories generally depict people trying to aid people of color within communities that are inherently bias or racist. 
We can find these themes even in some of our most cherished texts.  For as much as it pains me to say this, To Kill a Mockingbird is at heart the story of a white savior,  Atticus Finch.  For as noble as his actions are, and as important as his story may have been, it now reflects a model of intervention and help that we probably need to move beyond.  The truth is Atticus was immensely brave.  His choice to defend a black man came at a great sacrifice to his safety and position.  But like many other white savior stories, it doesn’t really address the underlying problem of racism, just the immediate manifestation of it in the case of Tom Robinson.  Atticus doesn’t take up the banner of injustice, using his privilege to bring awareness to the violence and terror done to people of color.  There is no rally or political action, no protest against the system that allows this injustice to occur.  Instead, his focus was on one individual case of an innocent black man who was unjustly accused.  And while that story needed to be told and studied at the time of its writing, it is time to re-think it  with a more critical lens.  At the very least, the white savior theme should be addressed with our students as we read it today.
Within the classroom, the white savior mindset can also be problematic.  In his book, For White Folks Who Teach in the Hood. . . and the Rest of Y’all Too: Reality Pedagogy in Urban Schools, Christopher Emdin states that sometimes white teachers take on students of color like they have to “save” them.  He explains, “The vision that kids need to be saved equates to thinking something’s wrong with them. There’s no teacher who should go into a space thinking that the students are inherently bad. If you are walking into a classroom and see students as victims, you are seeing them as having an inherent flaw that only you can fix. You [the teacher] are there to help them learn and allow them to do fixing for themselves.”
Discussing the concept of “white saviorism” with people is difficult.  It can lead some people down a rabbit hole where suddenly they feel stuck.  To move forward though, it will require, as Teju Cole writes in the Atlantic, “due diligence”.  Due Diligence means that when it comes to our choices-- specifically when it relates to working with power differentials like those within classroom-- we should be monitoring our intentions and motives.  How might our cultural lenses influence the way we see ourselves and our roles as educators?  How might the news stories we read, the movies we watch, and the books we consume perpetuate these white savior themes?  How might the materials I am using in class perpetuate these themes?  And how can I counteract these messages within my classroom?
In the end, the question should not be about whether we should act or not.  It should be more about why are we acting and how can we take action.  Our mission should balance two needs: our need to help this specific individual to navigate the system of the dominant culture and our need (as educators) to challenge and take-on some of these systemic practices that discriminate and marginalize students in the first place. Ultimately, it changes the focus from “saving” children to creating a community that is more equitable and just.


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